METTE EDVARDSEN WORKS   BIOGRAPHY   PRESS AND OTHER TEXTS   CONTACT  

PERFORMANCES
Livre d'images sans images
En lys sommers usigelige smerte
Suppose a Room
Penelope sleeps
It could be that the saddest thing
     is not knowing that one is sad
Music For Lectures/ Every word
     was once an animal
oslo
I can’t quite place it
We to be
No Title
Black
Time has fallen asleep in
     the afternoon sunshine
every now and then
or else nobody will know
Opening
Time will show (detail)
Private collection
 
OTHER MEDIA
Titled
Faits divers
coffee & cigarette
Sketches
Artist in Residence
The way/ you move
Light Shade Shade
Stills
 
ARTIST'S BOOKS
The Appendixes #1–4
Livre d’images sans images (LP)
one continuous line or a thought
     that dissolves into the distance
Not Not Nothing
Time has fallen asleep in
     the afternoon sunshine
Afternoon Editions
Objects 2002 - 2015
We to be
Black
every now and then
Opening
Time will show (detail)
 
PUBLISHING HOUSE
Varamo Press
Time has fallen asleep in
     the afternoon sunshine
 


Faits divers (2008)

fd
(video still)

Faits divers is a French journalistic term for ‘human interest’ stories, a way to provide an encounter with the unexpected and extraordinary ruptures in everyday life. In this small film we play with a faits divers as a starting point for a scene where in fact not so much else is taking place. The film shows an everyday situation with a man who is reading and drinking coffee. The faits divers in the newspaper causes another faits divers, an accident in the present situation of the reader.

The scene is repeated several times by the performer in an attempt to reproduce the video technology by means of his own doing. The actions are also performed in slow motion to then be put back to normal speed by video technology. The interest was both in the challenge of applying the ‘technology’ of repetition and slow motion in performing this scene, and in what that could produce in return. The reversal of roles between the two media ‘artificial technology’ and ‘authentic performance’ are mixed up in the process, creating as an outcome a disturbed ‘normality’.

A film by Mette Edvardsen with Philippe Beloul

Performed by Philippe Beloul
Camera Mette Edvardsen
Edited by Heiko Gölzer

Project commissioned by La Porta - Barcelona


PRESENTATIONS:
Idiorhytmias, MACBA (Barcelona) 3 - 5 May 2018
Retrospektiv, Black Box teater (Oslo) 1 - 10 October 2015
Sobrenatural 2, La Porta/ Barcelona December 2008
To view on www.laportabcn.com