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| Festivalen som et kollektiv
by Anette Therese Pettersen |
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Reisen til nattens ende
by Chris Erichsen |
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A welcome intrusion on a purely physical aesthetics
by Fransien van der Putt |
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Writing in three dimensions
by Venke Sortland |
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The high points of the fifth edition of Performatik17
by Ive Stevenheydens |
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A letter: Oslo | Black
by Diana Damian Martin |
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To not be or not not to be?
by Ragni Vik Johnsen |
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Entre les lignes
par Jérôme Provençal |
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A livres ouverts au Kunstenfestivaldesarts
par Gilles Renault |
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Speaking Bodies, Plural Voices at Arnolfini
by Laura Burns |
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Candid Bergen
by Claudia La Rocco |
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Mette Edvardsen, Time Has Fallen Asleep in the Afternoon Sunshine
by Julie Solovyeva and Alice MacKenzie |
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Mette Edvardsen, Time Has Fallen Asleep in the Afternoon Sunshine
by Nicholas Minns |
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Avmaktsvariasjonene
av Sigurs Ziegler |
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Mette Edvardsen, Time Has Fallen Asleep in the Afternoon Sunshine
by Diana Damian |
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Time has Fallen Asleep in the Afternoon Sunshine
by Lyn Gardner |
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Time has Fallen Asleep in the Afternoon Sunshine
by Natasha Tripney |
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On Saturday I met a book and rediscovered both theatre and reading
by Jo Verrent |
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Time has fallen asleep in the afternoon sunshine
by Anette Lundebye |
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Birmingham Central Library brings books to life with live recitals
by Miranda Kiek |
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"Why do you scream if no one hears you?"
Poetisk fortvilelse på Marstrandfestivalen.
av Chris Erichsen |
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Dance Umbrella, Andros Zins-Browne & Mette Edvardsen
by Jeffrey Gordon Baker |
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Mette Edvardsen: Black
by Eleanor Sikorski and Hollie Miller |
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Eloquence with Mette Edvardsen
by Thomas Olsson |
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“Black” at MDT
by Örjan Abrahamsson |
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Walking on thin ice,
or how Mette Edvardsen and Ivo Dimchev don’t need much to draw you in
by Hans-Maarten Post |
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Smart experiments with time and space
by Anna Ângstrøm |
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Reading a book while watching a performance?
by Hans-Maarten Post |
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The Play Behind the Book and Vice Versa
by Jonathan Van den Broeck |
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The existence of something else
by Jeroen Peeters |
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Everything comes back
by Jolien Van de Velde |
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Exercise in pure perception
by Julie Rodeyns |
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Representations of dance
by Melanie Fieldseth |
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Mette Edvardsen, Bologna, Raum
by Piersandra Di Matteo
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Close things
by Marit Strømmen |
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