Det kroppslige arkivet: Om minnepraksisen i Mette Edvardsens En lys sommers usigelige smerte Essay by by Nina Helene Jakobia Skogli, published in Teatervitenskapelige studier (2023). ⇲‑Norwegian Nothing in our way Essay by Emilyn Claid, published in FALLING through life and dance (2021). ⇲‑English Movement through Language: A Reflection on the Use of SpokenText in Dance Performances Essay by Rosa Lambert, published in critical stages (2019). ⇲‑English En særegen form for oppmerksomhet Essay by Melanie Fieldseth, published in Teatervitenskapelige studier (2019). ⇲‑Norwegian The exigence of holes nests time: A collection of boundary objects for Mette Edvardsen. Essay by Jeroen Petters, published in Something Some things Something else (2018). ⇲‑English Towards a Poetics of Imagination. Essay by Bojana Cvejic, published in e-tcetera (2018). ⇲‑English Real fictions: Time has fallen asleep in the afternoon sunshine. Essay by Victoria Pérez Royo, published in KUNSTENFESTIVALDESARTS (2013). ⇲‑English The match / in accordance with orders / communicated burning. Essay by Bruno De Wachter, published in in the Belgian literary journal nY (2013). ⇲‑English Living Books: More than a sheaf of pages. Essay by Philip Holyman, published in the Rep/ Birmingham (2012). ⇲‑English Something to hold onto. Essay by Jeroen Peeters, published in FISCo 11 'Segue' by Xing (2011). ⇲‑English Mette Edvardsen: Stills and other works. Essay by Mårten Spångberg, published in FISCo 6 'Figura N°' by Xing (2006). ⇲‑English Rewritten spaces. Essay by Melanie Fieldseth, published in 3t magazine (2006). ⇲‑English
Mette Edvardsen and Iben Edvardsen, Livre d'images sans images - XONG collection - dischi d'artista A conversation published in ATP Diary (2023). ⇲‑Italian The book of images. A conversation with Silvia Fanti/Xing and Mette Edvardsen, published in NERO (2023) ⇲‑English Interview with Mette Edvardsen. Interview by Sóley Frostadóttir, published in Dunce magazine (2023). ⇲‑English Tre spørsmål til Mette Edvardsen. Interview by Sara Wegge, published by Black box teater (2023). ⇲‑English Soft spaces – an interview on expanded choreography with Mette Edvardsen. Interview by Karin Hald, published in Bastard (2022). ⇲‑English A space where parallel universes meet. Interview by Núria Gómez Gabriel, published in Teatron (2020). ⇲‑English chats in ten questions 11: Mette Edvardsen. Interview with mehmet kerem ozel, published in Danzon (2020). ⇲‑English Library of living books. Conversation with Mette Edvardsen, published in Nero (2017) ⇲‑English I don't think we make things alone, even when we are alone. Interview by Eva Decaesstecker, published by Kaaitheater (2017). ⇲‑English I don’t think we make things alone, even when we are alone. Interview by Eva Decaesstecker, published in Kaaitheater (2017). ⇲‑English Presque Borges, Calvino à peu près. Le par-coeur du Mette Edvardsen. Interview by Eve Beauvallet, published in Liberation (2017). ⇲‑French L'alba dei libri viventi. Interview by Ivan Carozzi, published in minima & moralia (2017) ⇲‑Italian If forgetting is important, then so is remembering. Interview by Veronica Simpson, published in studio international (2016). ⇲‑English Interview with Mette Edvardsen. Interview by the Norwegian Embassy, published in norway.no/germany (2015). ⇲‑German Interview by Marit Aronsson. By Marit Arnsson, published in Artscene (2015). ⇲‑Norwegian Some questions to Mette Edvardsen. Interview by ATP Diary, published in atpdiary.com (2014). ⇲‑English Interview. Interview by Agata Jankowska, published on Elewator kultury (2014). ⇲‑English Some questions to Mette Edvardsen. Time has fallen asleep in the afternoon sunshine - a library of living books. Interview by Art Texts Pics Dairy, published on atpdiary.com (2014). ⇲‑Italian/English Interview about Black in Zagreb, Croatia. Interview by Spider, published in Spider (2013). ⇲‑English Interview. Interview by Eleanor Sikorski. Published in Bellyflop Magazine (2012). ⇲‑English Interview for Dance Umbrella. Interview by Eleanor Sikorski, published in Bellyflop Magazine (2012). ⇲‑English Levende bøker. Interview by Sara Hammer, published in Natt & Dag (2012). ⇲‑Norwegian Art practice as eco system questionnaire. Questionnaire by Chrysa Parkinson, unpublished (2011). ⇲‑English 10 spørsmål til Mette Edvardsen. Interview by Sindre Jacobsen, published by Danseinformasjonen, www.dance.no (2011). ⇲‑Norwegian Interview for Kaaitheater. Interview by Carla Defranq, published by Kaaitheater (2011). ⇲‑English
Kunst som afkræver opmærksomhed – Livre d´images sans images. Review by Karin Hald, pubilshed in Bastard (2023). ⇲‑Danish HC Andersens berättelse blir en berörande performancetimme på MDT. Review by Maina Arvas, published in Dagens nyheter (2023). ⇲‑Swedish Det motsatte av et svart hull. Review by Venke Sortland, published in Norsk Shakespeare tidsskrift (2023). ⇲‑Norwegian Livre d’images sans images – L’ivresse des profondeurs / Stamsund Theatre festival 2023. Review By Francesco Chiaro, published in Teatro persinala (2023). ⇲‑English Den billedlige sannheten. Review by Julie Rongved Amundsen, published in scenekunst.no (2023). ⇲‑Norwegian
A dance of word. Review by Andrew Fuhrmann, published in witness performance (2020). ⇲‑English Penelope Sleeps – Mette Edvardsen and Matteo Fargion. Review by Rudi Laermans, published in e-tcetera (2019). ⇲‑English ⇲‑Dutch Nyansenes dramatikk. Review by Anette Therese Pettersen, published in scenekunst.no (2019). ⇲‑Norwegian Meteor Festival, Bergen. Review by Alice Saville, published in exeuntmagazine (2019). ⇲‑English Festivalen med mange rom. Review by Judith Dybendal, published in scenekunst.no (2019). ⇲‑Norwegian
Friskt, meditativt og monotont. Review by Elin Lindberg, published in Norsk Shakespeare tidsskrift (2019). ⇲‑Norwegian Festivalen som et kollektiv. Review by Anette Therese Pettersen, published in scenekunst.no (2019). ⇲‑Norwegian Reisen til nattens ende. Review by Chris Erichsen, published in scenekunst.no (2018). ⇲‑Norwegian
Scenrecension: Upprepningens komiska helvete. Review by Josefine Wikström, published in Dagens Nyheter (2019). ⇲‑Swedish Tid och rum förskjuts i hypnotiskt återberättande. Review by Thomas Olsson, published in Svenska Dagbladet (2019). ⇲‑Swedish Recension: Mette Edvardsen, Oslo. Review by Klas Trollius, published by Linnee universitetet (2018). ⇲‑Swedish A welcome intrusion on a purely physical aesthetics. Review by Fransien van der Putt (2017). ⇲‑English Writing in three dimensions. Review by Venke Sortland (2017). ⇲‑English The high points of the fifth edition of Performatik17. Review by Ive Stevenheydens (2017). ⇲‑English A letter: Oslo | Black. Review by Diana Damian Martin (2017). ⇲‑English
Mette Edvardsen, No Title, Fest en Fest, Laurie Grove Studios. Review by Nicholas Minns and Caterina Albano, published in writing about dance (2018). ⇲‑English Mette Edvardsen, No Title. Review by Paul Hughes, published in All of These Things (2018). ⇲‑English Sydney’s Biennale: All futures lead to now. Review by Mel Rumble, published in New Scientist (2016). ⇲‑English The art of disappearance. Review by Virginia Baxter, published in RealTime Arts - Magazine (2016). ⇲‑English L.A.W. (Live Arts Week) Like 28 #2014. Review by Eleonora Felisatti, published in Doppiozero (2014). ⇲‑Italian No Title de Mette Edvardsen. Review by Chiara Castaldini, published in DU ATP (2014). ⇲‑French Black Box is burning. Review by Hanne Frostad Håkonsen, published in scenekunst.no (2014). ⇲‑Norwegian Dans med ord. Review by Ole Jacob Hoel, published in Adresseavisen (2014). ⇲‑Norwegian To not be or not not to be? Review by Ragni Vik Johnsen (2014). ⇲‑English/Norwegian
A letter: Oslo | Black. Review by Diana Damian Martin, published in Something Other (2017). ⇲‑English Livsteater og scenekunst. Review by Edy Poppy, published in scenekunst.no (2017). ⇲‑English Theatre: Belt'n'braces at Glasgow Tramway. Review by Mary Brennan, published in The Herald Scotland (2016). ⇲‑English Speaking Bodies, Plural Voices at Arnolfini. Review by Laura Burns, , published in exeunt magazine (2013). ⇲‑English „NA PÓŁNOC,” TRWA JĄ 8. SUWALSKIE TEATR-AKCJE. Review by Joanna Orlicz, published in Niebywale Suwalki (2013). ⇲‑Polish KAZALIŠTE ILI GALERIJA ILI POSVE SVEJEDNO? Review by Jelena Mihelčić, published in Plesna Scena (2013). ⇲‑Polish Dance Umbrella, Andros Zins-Browne & Mette Edvardsen. Review by Jeffrey Gordon Baker, published in londondance blog (2012). ⇲‑English Mette Edvardsen: Black. Review by Eleanor Sikorski and Hollie Miller, published in bellyflop blog (2012). ⇲‑English Eloquence with Mette Edvardsen. Review by Thomas Olsson, published in Nummer.se (2011). ⇲‑English Ordrikt med Mette Edvardsen. Review by Thomas Olsson, published in NummerBloggen (2011). ⇲‑English “Black” at MDT. Review by Örjan Abrahamsson (2011). ⇲‑English Walking on thin ice, or how Mette Edvardsen and Ivo Dimchev don’t need much to draw you in. Review by Hans-Maarten Post, published in utopia parkway blog (2011). ⇲‑English
Yleisöstä esityksen sisään – residenssiblogit 7. Review by Maaria Sainio, published in Kritiikki näkyy (2023) Review by Maaria Sainio, published in Kritiikki näkyy (2023). ⇲‑Finnish Festivalrecension: Varsågod, en konstupplevelse – men tankearbetet är upp till dig själv. Review by Tove Djupsjöbacka, published in HBL (2022). ⇲‑Swedish Liikkeellä marraskuussa – pitkäkestoisesti sitoutuneena ja yhteen kytkeytyneenä. Review by Hanna helavori, published in hannahelavuori.com (2022). ⇲‑Finnish Friske impulser. Review by Grace Tabea Tenga, published in scenekunst.no (2021). ⇲‑Norwegian Grāmatas jālasa lēni. Review by Alīse Vorobeja, published in punctum magazine (2020). ⇲‑Latvian Kunstkritikk's Advent Calendar. Review by Susanne Christensen, published in kunstkritikk (2019). ⇲‑English ⇲‑Danish Hidden publics. Review by Heidi Bale Amundsen, published in kunstkritikk (2019). ⇲‑English Entre les lignes. Review by Jérôme Provençal (2013). ⇲‑French A livres ouverts au Kunstenfestivaldesarts. Review by Gilles Renault (2013). ⇲‑French Candid Bergen. Review by Claudia La Rocco (2012). ⇲‑English Mette Edvardsen, Time Has Fallen Asleep in the Afternoon Sunshine. Review by Julie Solovyeva and Alice MacKenzie (2012). ⇲‑English Mette Edvardsen, Time Has Fallen Asleep in the Afternoon Sunshine. Review by Nicholas Minns (2012). ⇲‑English Avmaktsvariasjonene. Review by Sigurs Ziegler (2012). ⇲‑Norwegian Mette Edvardsen, Time Has Fallen Asleep in the Afternoon Sunshine. Review by Diana Damian (2012). ⇲‑English Time has Fallen Asleep in the Afternoon Sunshine. Review by Lyn Gardner (2012). ⇲‑English Time has Fallen Asleep in the Afternoon Sunshine. Review by Natasha Tripney (2012). ⇲‑English On Saturday I met a book and rediscovered both theatre and reading. Review by Jo Verrent (2012). ⇲‑English Time has fallen asleep in the afternoon sunshine. Review by Anette Lundebye (2012). ⇲‑English Birmingham Central Library brings books to life with live recitals. Review by Miranda Kiek (2012). ⇲‑English Why do you scream if no one hears you? Poetisk fortvilelse på Marstrandfestivalen. Review by Chris Erichsen (2012). ⇲‑Nowegian
Mette Edvardsen: every now and then. Review by Titta Aaltonen, published by Art notes (2011). ⇲‑English Every now and then. Review by Elisa Fontana, published by Brainstorming Art Project (2011). ⇲‑Italian Dalla pagina alla scena. Il libro-teatro di Mette Edvardsen. Review by Rascia Darwish, published in klpteatro.it (2011). ⇲‑Italian Usine à gaz Un va-et-vient entre la scène et un livre illustré. Review by Copin, pubilshed in La Côte (2010). ⇲‑French Smart experiments with time and space. Review by Anna Ângstrøm, published in Svenska Dagbladet (2010). ⇲‑English ⇲‑Swedish Reading a book while watching a performance? Review by Hans-Maarten Post, published in utopia parkway blog 6 (2009). ⇲‑English The Play Behind the Book and Vice Versa. Review by Jonathan Van den Broeck, published in CJP website (2009). ⇲‑English
The existence of something else. Review by Jeroen Peeters, published in Corpus (2007). ⇲‑English Everything comes back. Review by Jolien Van de Velde, published in Cutting Edge (2007). ⇲‑English ⇲‑Dutch Exercise in pure perception. Review by Julie Rodeyns, published in <H>art magazine (2007). ⇲‑English ⇲‑Dutch
Representations of dance. Review by Melanie Fieldseth (2006). ⇲‑English
Mette Edvardsen, Bologna, Raum. Review by Piersandra Di Matteo (2005). ⇲‑English
Mette Edvardsen, Bologna, Raum. Review by Piersandra Di Matteo (2005). ⇲‑English Close things. Review by Marit Strømmen (2003). ⇲‑English